The PIPA Institute collection focuses on works by artists who have participated in PIPA Prize. The collection includes works donated through the Prize and acquisitions of works by the Institute.
Since 2010, all winning artists in each category of the Prize donate an artwork to the Institute – a collection which currently comprises of more than 30 artworks.
At the end of 2016, we began the process of acquisitions and/or commissions via Institute. This independent project focuses on the topic of “Displacement”.”Displacement” has, in truth, many definitions. It can mean the situation in which people or objects move from one place to another. It can be spontaneous or forced. Finally, according to Freud, displacement is an unconscious defense mechanism whereby the mind substitutes either a new aim or a new object for goals felt in their original form to be dangerous or unacceptable. By defining the subject, we are instigating a spectrum of possibilities of artists whose works relate to it. Hopefully, new ideas and point of views will emerge from it. It was also decided that the acquisition and commission project would be restricted to artists who have participated in at least one edition of the Prize, with the aim of acquiring a diversified set of works, documents, and studies pertaining to a specific project/series.
We believe in the importance of encouraging the development of artistic practices by supporting the production of new works and projects, with the mission to contribute to the international recognition and dissemination of Brazilian contemporary art. However, our greatest mission yet will be to share our passion and cultural knowledge by making the collection accessible to the public. The PIPA Institute collection will soon be available for viewing online and hopefully, in the future, in public spaces.
The collection is divided by:
- Artworks acquired by the Institute
- Artworks donated to the Institute by PIPA Prize winners
- Artworks donated to the Institute by artists
- Artworks on loan
Commissions
Henrique Oliveira, “Desnatureza 3”, 2018.
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Daniel Beerstecher, “Liberation 4.0”, 2018.
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Bárbara Wagner and Benjamin de Burca, “RISE”, 2018.
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Acquisitions
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- Arjan Martins, “Rio Setecentista”, 2013, acrylic and oil on canvas, 310x200cm
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- Arjan Martins, Untitled, 2016, acrylic on canvas, 62x41cm
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- Arjan Martins, Untitled, 2017, acrylic on paper, 220x114cm
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- Rodrigo Braga, “Casa de Res”, 2017, mineral pigment on cotton paper, Edition: 5:2, 150x100cm
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- Luiza Baldan, “Perabé”, 2014-15, mp4 archive for video installation HD, b/w, audio in four channels (dolby) edition: 2/5 + 2 PA
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- Bárbara Wagner & Benjamim de Burca, “Set to go”, 2015, lenticular photography, 3 + 2 AP. Ed. 2/3, 100x 326,5 cm | 24 x 59,4 cm (each)
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- Bárbara Wagner, “Leo da Lagoa” (from the series Masters of Ceremony), 2016, mineral pigment on cotton paper, edition: 3+2 APs, 80 x 120 cm
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- Bárbara Wagner, “A Boss is a Boss” (from the series Masters of Ceremony), mineral pigment on cotton paper, edition: 3+2 APs, 80 x 120 cm
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- Luiz d’Orey, “Untitled 52”, 2017, collage of found posters on canvas, 1,52m 1,27m | 60 in x 50 in
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- André Griffo, “Aproximação forçada”, 2018, oil and acrylic on canvas, 194 x 290 cm
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- André Griffo, “O golpe, a prisão e outras manobras incompatíveis com a democracia”, 2018, oil on canvas, 146,5 x 113 cm
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- Henrique Oliveira, “Desnatureza 3”, plywood, glue and cardboard, 7.6 x 9 x 6 m
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- Sofia Borges, “Gesture, mask and role”, 2017, photography, mineral pigment on cotton paper
PIPA Prize winners donations
PIPA
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- Renata Lucas, “Quadro Rotonda”, 2006-2011, 54 x43 x3,5cm
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- Tatiana Blass, “Half of the speech on the ground – deaf piano” | grand piano, microcrystalline wax, vaseline, pianist and video | aprox. 500x500x200cm | 2010
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- Marcius Galan (detail), “Obra de arte em cinco vias” , 2012, inkjet on paper, 21 x 29,7cm
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- Marcius Galan (detail), “Obra de arte em cinco vias” , 2012, inkjet on paper, 21 x 29,7cm
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- Cadu, “Four Seasons”, model, 2013, 50x70x40cm, MDF board and cardboard
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- Alice Miceli, 2014 , “em profundidade (campos minados) / Camboja”, 11 prints on pigment paper, 109x73cm (each)
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- Virginia de Medeiros, “Em torno dos meus marítimos”, 2014, four photographs, 50 x 70 cm and video 8’55”
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- Paulo Nazareth, Untitled (from the series “News from the Americas”) 2011, photo printing on cotton paper, 67,5 x 90 cm (each) 4/5 + 2AP
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- Paulo Nazareth, Untitled (from the series “News from the Americas”) 2011, photo printing on cotton paper, 67,5 x 90 cm (each) 4/5 + 2AP
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- Paulo Nazareth, Untitled (from the series “News from the Americas”) 2011, photo printing on cotton paper, 67,5 x 90 cm (each) 2/5 + 2AP
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- Paulo Nazareth, Untitled (from the series “News from the Americas”) 2011, photo printing on cotton paper, 67,5 x 90 cm (each) 2/5 + 2AP
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- Arjan Martins, Untitled, 2018, acrylic on canvas, 63 x 95 inches (together) diptych
PIPA Popular Vote
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- Marcelo Moscheta, “22) , from the series A New Method for Assisting the Invention in the Composition of Clouds”, 2009, graphite on PVC Board and muriatic acid on aluminium board, 66x100cm
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- Marcelo Moscheta, “24) , from the series A New Method for Assisting the Invention in the Composition of Clouds”, 2009, graphite on PVC Board and muriatic acid on aluminium board, 66x100cm”
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- Tatiana Blass, “Acidente # 10”, 2011, oil on canvas, 100 x 80 cm
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- Rodrigo Braga, 2012, “Fato (da série Paisagens)”, Inkjet (mineral dispersion), canson rag photograph applied on foam board acid free, 90x60cm
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- Camila Soato, “Projeto Pós Fim do Mundo #3”, 2013, oil on canvas, 200 x 100cm
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- Virginia de Medeiros, “Sergio e Simone #1″, 2007-2009, vídeo single channel, sound, 9’21”
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- Paulo Nazareth, “Clube Atlético Xavantes” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 42/67
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- Paulo Nazareth, “Índio” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 63/67
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- Paulo Nazareth, “G.E Tupinambá” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 83/100
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- Paulo Nazareth, “Clube Esportivo Aimoré” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 72/100
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- Paulo Nazareth, “Guarani de Campinas” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 75/100
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- Paulo Nazareth, “Goytagaz F.C” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 25/67
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- Paulo Nazareth, “G.E Charruá” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 31/67
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- Paulo Nazareth, “Solução de Limpeza Minuano” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 31/39
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- Paulo Nazareth, “Aymoré vermelho” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 92/100
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- Paulo Nazareth, “Mbiá” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 30/39
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- Paulo Nazareth, “Quilmes” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 43/100
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- Paulo Nazareth, “Charruá Rugbi Clube” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 62/67
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- Paulo Nazareth, “Guarani de Divinópolis” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 23/100
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- Paulo Nazareth, “Tupi F.C” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 90/100
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- Paulo Nazareth, “Aymoré preto” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 86/100
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- Paulo Nazareth, “Esporte Clube Xavantes” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 64/67
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- Paulo Nazareth, “Paiaguás” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 32/39
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- Paulo Nazareth, “Estância do Minuano” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 33/39
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- Paulo Nazareth, “Aimará gestão ambiental” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 30/39
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- Paulo Nazareth, “Cabanha Mapuche” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 27/39
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- Paulo Nazareth, “Bororó auto peças” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 29/39
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- Paulo Nazareth, “Aros” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 29/39
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- Paulo Nazareth, “Guenoa” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 27/39
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- Paulo Nazareth, “Charruá hotel” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 27/39
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- Paulo Nazareth, “Caxinuá” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 28/39
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- Paulo Nazareth, “Guarani retrô” (from the series “Produto de genocídio”), 2015/2016, serigraphy on paper, 42 x 29,7 cm, edition 48/100
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- Éder Oliveira, Untitled, from the series Pixels, 2018, 190 x 160 cm
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- Arjan Martins, “The Foreigner”, 2017, acrylic on canvas, 23.6 x 31.4 inches
PIPA Online
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- Iuri Sarmento, “PIPA”, 2011, acrylic on canvas, 1,25 x 1m
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- Tinho, “Prazeres”, 2011, oil on canvas,90 x 120cm
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- Marco Antonio Portela, “Disappear”, 2015, inkjet print and acrylic, edition: 02/05, 42x53cm
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- Berna Reale, “A Mulher”, performance for a photograph, 100x150cm
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- Ana Ruas, “Achados e Perdidos – Paisagens I”, 2014, enamel paint on wood, 30x140cm each (diptych)
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- Shima, “Testimonial”, 2006-2010, inkjet print on paper, 90×120
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- Paulo Nimer Pjota, “South Afrika”, 2014, photograph on cotton paper, 60x40cm
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- Luciana Magno, “Raízes aéreas. Série orgânicos”, 2014, Photograph on Matte Enhance paper, 120X80cm
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- Diego de Santos, “Para onde vão os incomodados que se mudam”, 2013, ballpoint pen and charcoal on paper, 96×66 cm
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- Jaider Esbell, “A Dimensão Humana”, 2013, 100 x150 cm
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- Arissana Pataxó, “Meruka”, 2007, mixed technique on canvas, 70x50cm
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- Babu78, “A ignorância não me deixou acabar”, 2017, graffiti
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- Íris Helena, Notas de Esquecimento VII, from the series “Lembretes”, 2009
Donations by PIPA Prize artists
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- Leopoldo Wolff, da serie “Um Minuto Inteiro”, 2010, digital print, 35x43cm
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- Ana Paula Oliveira, “Vouindo”, 2016, acrylic, leather and lead
